Half a Dozen New Poems

By | March 12, 2021

When to Shut Up? 

 

Imagine an off-the-cuff conversation

With an acquaintance, not a friend,

So it’s tricky to gauge the rules.

 

She tells you she prays for her family,

For friends, for peace in faraway places.

 

Sceptical, you challenge this faith

That prayer can interrupt the flow

Of events and act as midwife

To a better future.

 

After all, is it not your duty

To burst bubbles of false hope?

 

The meek, you remind yourself, won’t

Inherit the Earth, far from it, they’ll settle

For the displacement of wilful action

By impotent prayer and die unfulfilled.

 

Religion is the opium of the people!

 

But you see that she’s confused

And her innocence eschews the bluster

That male friends would hide behind;

She has no answers and looks fragile.

 

Does reason push you on regardless,

Or do you pause to take stock

Of what it is that you are doing?

 

People learn and recite religious scripts

For the comfort of acting in a play;

This is their theatre, their refuge

From an unyielding world of pain,

Suffering, disappointment or tension.

What right do you have to rewrite

The plot, to substitute an ending

Of your own?

 

Wittgenstein didn’t need educating

Out of his spiritual yearning,

He knew he was at the theatre,

Saw the plot for what it was;

His was a cry for help, for strength

To be a better person, which for him

– in interwar Vienna, in Cambridge –

Reduced to abandoning male lovers.

 

So, what price might others pay

For listening to your so reasonable

Disassembling of their narratives

Of comfort tinged with optimism,

Or your so reasonable deconstruction

Of fables that keep minds and bodies

Locked safely into personhood?

 

You might be on reason’s side,

But wrong to argue it out:

Look again at her furrowed brow

And shut up.

 

 

Tricks of the Trade

  

In philosophy seminars when times

Were different and clouds of smoke

From my pipe provided temporary

Cover from close inspection, as well

As a breathing space (if you’ll pardon

The phrase in this context), my pipe

Became a prop, gifting me a moment

Of respite, a chance to regain bearings

And think up a response to a query

From an awkward, enquiring student.

 

Emptied in a bin, scraped around a bit,

Refilled, then, a task of optional timing,

Lit and relit for as long as expedient.

If that didn’t work: ‘I’ll come back

To you in a moment, but first

I want to clarify something we were

Talking about earlier. Is that okay?’

 

In the lecture theatre, substitute

Coffee cup for pipe and the script

Was much the same, if more sanitary,

Not so ritualistic or cumbersome,

And with hindsight, less homicidal.

 

But other props became accessible

In this larger more complex space.

In the early days I had notes or acetate

Sheets to shuffle or drop on the floor

To ameliorate crises of self-assurance;

Later there were power-point slides

To toy with, though the downside

Was that students could see exactly

What I was doing, like watching

A silent film in a 1920s cinema.

 

The bottom line, sadly, is that students

Mostly knew what I was doing and why;

I knew they knew, and they knew

I knew they knew; it was all okay

Providing I didn’t do it too often

And that I treated them with respect.

 

 

Trees

  

The Ash in our hillside of a garden

Is a symbol of order and permanence;

It will outlast us, possibly by a century,

Inching higher when our backs are turned

And stretching its boughs like fingers,

Perches for the tits and, once in a while,

A throne for a lesser-spotted woodpecker

Smartly kitted out in the primary colours

Of a child’s new Christmas paintbox.

 

There is a quiet unapologetic dignity

In trees like our towering Ash, defying

The passing of eras and the shallow, fickle

Topicality of fashions of minds and bodies,

Altogether aloof from human finitude.

It’s as if it yearns to convey lessons learned

Out of its silent presence, this observatory

Of species that come and go, that pass it by.

 

And now with Spring there is fresh vigour

With the slow-burning bursts of buds

On the far-off tips of waving, looping twigs

Peering at a sky, blue and welcoming

Now but with Ash-grey clouds gathering

Over Norbury Park and heralding rain.

Undaunted by change, resilient in the face

Of the seasons, it is moral and monument

To the planet’s aspirations to endure.

 

 

Pleasant Pleasantries

  

They can be smart, friendly and fun

The ‘bear with’ brigade who inhabit

Our village pubs, discussing who won

The last test match, and why a rabbit

Chose their garden to nibble and dig.

 

What you find after a year or two,

As you collect your pint, take your seat,

Is that the agendas worked through

As you bid to unwind affect a retreat

From the world as you’ve known it.

 

Yes, it’s a harmless, pleasant interlude,

A break from normal mundane routine,

But it’s salutary too, an almost crude

Reminder that what matters has been

Set to one side by common assent.

 

 

Children and Adults

 

When you teach you will meet

Students much smarter than you,

It can be mildly irritating it’s true,

But then surely it’s no mean feat

To convey stuff they don’t know?

 

There’s a point I want to make

While I’ve got you to stop and think:

It’s good that students try to link

What you say and aspire to take,

Notes and apply the relevant bits.

 

But let’s celebrate their strengths,

These students are adults not kids!

They may be socialised to keep lids

On their talents, and go to lengths

To pretend they’ve little to say.

 

Just as children must be allowed

To be children, not chivvied along

By crazy plans to make them belong

Prematurely to a class of cowed

And anxious workers-to-be,

 

So students must not be denied

Their right to be treated as adults,

Participants in learning, consultants,

Teachers themselves, not decried

As mere apprentices for lives to come.

 

 

It Wasn’t Planned, But It Works 

 

Darwin was right most would agree,

Natural Selection not God has paved

The way for a lifespan with a certain

Living symmetry.

 

Her innocence protects the child,

Who cannot know the vicissitudes

And corporeal and mind-fading

Shifts of old age.

 

Nor does the child care, for she

Is programmed to look away, safe

And secure against what in time

Will overtake her.

 

When you are old and reflexive

You may envy this unambiguity

And wish you knew in your youth

What you know now.

 

But it doesn’t work that way:

Were you to revisit your childhood

With the enlightened trappings of age

You would rob it of what it is.

 

So be reconciled, celebrate and find

Solace in children’s life-affirming play,

And take care not to burden them

With ineluctable futures.

 

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